live performance with Jose

Our group’s idea for the performance revolved around WAR, SOLDIERS, CULT, METAL, CEREMONY. Jose, a week earlier, asked us to write for 5 minutes words that came up to our mind. We would read what we wrote and decide in a team which of these words we would like to use as a base for our idea for the performance next week(which happened yesterday, 25.05).

Besides the topic for the sound, we wanted to create a whole performance, an act. Me, Buki, Jiachen, and Yusuf were sitting in a circle in a center creating sound following a sound that would design Emmanuel as our “leader”. I was using a contact mic and for the sound source, I chose an old retro metallic kettle and stones, as I like the sound of objects touching metallic surfaces. What’s more as a part of an act we decided to put on black pillowcases, which I think was a great idea as it allowed me to create my personal space. Jack was in charge of recording sound and video, Cai designed an image we wanted to display on a wall, to create the right atmosphere and Jose was our DJ, producer. Overall I really enjoyed this performance as not only it was a great experience but also creating sound is a lot better way to learn than dry learning about recording etc.

AMERICAN BEAUTY// film score series

“American Beauty”(1999) is  black comedy-drama film written by Alan Ball and directed by Sam Mendes. Movie tells a story A sexually frustrated suburban father has a mid-life crisis after becoming infatuated with his daughter’s best friend but there’s so much more hidden behind about human’s existence. Sound was composed by Thomas Newman and definitely became one of the most iconic film scores. As he said: “My approach normally is to start from a point of color, meaning do I hear woodwind sounds or do I hear plucking sounds or bell sounds, and I try to build up. I normally start from a point of color as opposed to a point of melody.”, which I find really beautiful and unique approach to creating a composition. We can find here a lot of leitmotif which unusually doesn’t apply to the characters directly but to abstract personality traits or moral statement intended by filmmaker.

“mental boy” is director Sam Mendes’s and writer Alan Ball’s biting social commentary on our society’s idea of normal and abnormal behavior.1

“dead already” reflects the emotional state of whomever it is underscoring1

“lunch with the real estate king” represents the concept of empowerment. It will emerge whenever a character is feeling optimistic and in control of his or her life1

“power of denial” reflects the subconscious denial of a reality by the character with whom it is temporarily associated. This theme will later evolve as each character’s subconscious denial is confronted on a conscious level toward the end of the film.1

“arose” is attached to a sense of optimism and self-fulfillment, not to a specific character. In this sense, it evokes those same emotions within us as the viewer, creating a sense of empathy with the character experiencing the same emotion. The leitmotif then, supports the general premise of the film, an introspective glance at our own existence. When we see the onscreen characters taking control of their choices and therefore their lives, we experience the same excitement and sense of empowerment. 1

“American beauty” provides the vehicle for Mendes’s and Ball’s com- mentary on our contemporary society and its concepts of beauty.1

“beyond normal” is the idea that permeates the film1

My favorite pieces from the score are: “Arose”, “Mental Boy”, “Mr. Smarty Man”, “American Beauty” and “Any Other Name”.

1 Rothbart, P., The Synergy of Music and Film, p.80,81, THE SCARECROW PRESS, INC, Plymouth, UK, 2013

Creative Sound Projects// The Immersive Experience(2)

Another scene, during lecture with Jose Macabra, was from movie “Blue”(1993) directed by Derek Jarman. The most fascinating aspect was surely abrupt transitions between calming sounds of jingle bells, nature and harsh recording of daily life and narrator’s voice.

MY FIRST THOUGHT OF THE PLOT: narrator is getting deeper inside his head, his thoughts

REAL TOPIC: narrator is talking about AIDS, how it influenced people in 90s in general, his friends and therefore brought him depression, sadness and loneliness

Reasons for the movie’s title could be various for example color blue by itself is often associated with depression, darkness, as well as color of the pills for AIDS in 90s was indeed blue.

My favorite part of the entire movie was the ending when sound of waves and calm repetition of names was disrupted by “sci-fi”, synthesized sound.

Creative Sound Projects// The Immersive Experience(1)

During lecture with Jose Macabra on week 24 we’ve been studying film scores from particular movies. We were checking as well how our perception and overall understanding of scene/plot differs when we hear only sound without visual reference, image without sound and see both together. We have started from scene with scary priest from movie “The Exorcist”(1973). Firstly we were listening to the recording without an image. My first impression was that the scene was very sexual and aggressive, I thought that it was rape video. What fascinated me the most was discovery that in reality, it was part of exorcism. My brain didn’t catch words from Bible, which priest was saying, at all. Instead it focused on very strong language and straight away made an assumption that it was a rape. In contrast watching scene without sound not only, for me, wasn’t scary at all but was even funny. Mainly because I have never seen this movie before and now watching it and comparing the overall arrangement to scary movies nowadays was quite hilarious. I’m sure that if I have seen this film when I was younger my perception would have been different.

FRIDAY THE 13TH// film score series

“Friday the 13th”(1980) is an American horror film directed by Sean S. Cunningham and tells the story of a group of camp counselors, who are stalked and murdered by an unknown assailant while trying to reopen a summer camp which was the site of a child’s drowning and a grisly double murder years before.

I really like watching old movies when composers were using “basic” musical treatments. Nowadays film scores seem more complex and they loose sometimes their primary purpose, which in my opinion is telling/ explaining plot through sound for example indicating that something bad is going to happen or that main character is in love, so called “leitmotif”. “Friday 13th” is this iconic scary movie that everyone at least heard of. Film score here plays the role of the medium that prepares us for any change of scenes or even emotions. We can find here usage of the sound of “screeching strings”, whenever tension increases. In main theme I really liked as well usage of sound of quick and short human’s breaths. It’s almost like killer is behind me, which, in my opinion, represents the murderer from movie very accurately as he’s haunting his victims like animals and then killing them by surprise.

Lana Del Rey

Elizabeth Woolridge Grant is an American singer-songwriter and record producer, creating her music in Baroque pop, dream pop and rock. A lot of people say that every song of hers sounds exactly the same. In my opinion it’s because she is creating in this unique style of Baroque/ dream pop that for me brings nostalgia of America from 50s and 60s, it’s almost like I am missing times I have never lived in. People who generally don’t like this kind of music or Lana Del Rey won’t see difference between her songs but for me it’s very visible. I love and highly admire artists who manage to take me into different reality, even impose on me specific emotions like sadness. It’s very fascinating process for me and I am not talking about “sad songs” or “happy songs” because for me it’s not like that if I am listening to “happy songs” I am happy and other way around. For me what matters are emotions encrypted in the sound. For example classical music always makes me wanna cry, because it’s so beautiful and true that it is quite unrealistic compared to our world. The same is with Lana Del Rey, her songs naturally bring this nostalgia of true love, old times. This conclusion consists of every part of her creativity: lyrics, beat, her way of singing, her voice and overall arrangement.